During
my childhood, Mom instilled in me the value of to-do lists, which has
lasted all my life. They help me remember and prioritize my activities
when I feel stressed, and I find it incredibly satisfying to cross items
off once they’re complete. Doing so is a sign I’ve eliminated one source of chaos
in my life and have regained some measure of organization and control.
Unfortunately, I’ve noticed I also tend to use lists in my prose--or rather, to overuse them.
Excessive listing is a literary failing I must constantly resist or,
failing that, revise to avoid or reduce. Though this tendency stems
from my desire for linguistic precision, even I am aware that a piece
with list after list quickly becomes dull. There’s a reason most people
dislike reading the beginning and end of Numbers in the Old Testament!
(My daily devotion had me read Numbers, chapter 2 today--a coincidence I
didn’t recall when I started this post.)
Now,
in a larger sense, what is an essay but a list of reasons and details
in support of a thesis? By the same token, what is a story but a list
of events and actions and feelings? Yet somehow, skilled writers keep such
lists from resembling a dry recitation and maintain the thoroughness
they provide: Writers connect them with transitions, intersperse them
with narratives, and expand them with details; they vary the lists from
words to sentences to phrases to paragraphs to clauses. The result is a
flowing, organized progression of thought that is more than its
constituent parts.
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